Shakespeare’s Globe announces programme for festival ‘Shakespeare and Race’.
Shakespeare’s Globe is delighted to announce the programme for‘Shakespeare and Race’, a new festival of eventsopening 11 August. This is the first time in the Globe’s twenty-year history that the topic will be explored in depth over a week. Curated to draw attention to and provide a platform for scholars, practitioners and educators of colour in the teaching, study and performance of Shakespeare, this festival will highlight the importance of race to the consideration of Shakespeare not only in his time, but more urgently, in our own. The festival includes a playAmerican Moorby Keith Hamilton Cobb, a workshop entitledStaging Race and Diversity in the Shakespearean Theatre,The Sam Wanamaker Fellowship Lectureis to be given byProfessor Kim F. Hall, a pre-show talk forEmiliawithMorgan-Lloyd Malcolm, apanel discussion of actors who have played Othello, and an international symposium featuringKimberlé Crenshaw, Professor of Law at Columbia Law School and UCLA, whocoined the term ‘intersectionality’.The festival starts and finishes with two theatre productions,Voices in the DarkandHip-hop Shakespeare Unplugged.
Dr. Farah Karim-Cooper, Director of the Festival and Head of Higher Education & Research, said:“This festival aims to address the racial imbalances that exist not only in the industry of theatre but also in Shakespeare studies. As an iconic Shakespeare organisation we are duty bound to engage scholars and artists of all backgrounds and facilitate important and, at times, difficult conversations about the ways in which race is being represented in theatre and in the field. Shakespeare’s Globe must have this important conversation as a confident rebuttal to a dangerous regression to white privilege.”
Margaret Casely-Hayford, Chair of Shakespeare’s Globe, said:“Shakespeare’s ability to give an eloquent voice to people of different backgrounds and in widely differing emotional states speaks to and for all of us and is what makes him enduringly powerful. He is part of all of our heritage. I am thrilled by the fact that he articulated the passion and the anguish of Italian teenagers, Scottish royals, Roman statesmen, English peasants, Danish aristocracy, a Jewish merchant and an African who was a member of the Venetian military high command! In that context it is even more thrilling that there is so much intrigue about who really was his ‘dark lady’. It is clear that he was convinced that none of us is just one thing. The festival celebrates that fact and gives those of us who don’t ordinarily claim him so readily as part of our heritage, an ability and focus to do so.”
Opening the festival will beVoices in the Dark, personal stories written by young British Muslims performed alongside scenes devised by Intermission Youth Theatre. Highlighting the parallels between Shakespeare’s stories and these modern ones, scenes from his plays are woven into the evening. Intermission Youth Theatre is a charity working with young people who are disadvantaged, lacking in opportunity, at risk of offending or ex-offenders. All profits from the event will be donated to Intermission Youth Theatre, and Voices, a social start-up which aims to creatively challenge perceptions through the sharing and telling of people’s stories.
On 12 August,American Moor, an 85-minute play written and performed by African-American actorKeith Hamilton Cobb, will examine the experience and perspective of black men in America. There will be a post-performance discussion hosted and led byMichael Witmore, Director of the Folger Shakespeare Libraryin Washington D.C. The production has been performed across America, winning ‘Outstanding Solo Performance’ at the 2015 AUDELCO Awards. It was recognized by the Folger Shakespeare Library, and the script is now in the library’s permanent collection.
Keith Hamilton Cobbis best-known for his roles as Noah Keefer for ABC’sAll My Children, for which he was nominated for a Daytime Emmy Award, Tyr Anasazi in Gene Rodenberry’sAndromeda, Damon Porter in CBS’sThe Young and the Restless, and Quincy Abrams for the series Noah’s Arc (Logo Network). Other television credits includeTheFresh Prince of Bel-Air,Boston Common,Suddenly Susan,One on One,The Twilight Zone, and CSI Miami. A prolific stage performer, Keith has performed in multiple Shakespearean plays, includingHamlet,Romeo and Juliet,Coriolanus,A Midsummer Night’s Dream, as well as more contemporary roles in David Mamet’sRace, August Wilson’sJitney, and Lynn Nottage’sRuined.
OnMonday 13 August, a workshop entitledStaging Race and Diversity in the Shakespearean Theatrewill study the relationship betweenstaging practices and racial diversity. This will examine the privilege white actors have and disadvantage actors of colour experience due to choices of costume, set and lighting. The workshop will ask questions such as ‘does staging Shakespeare in historical dress present a challenge to directors and designers when it comes to racial diversity?’ Actors and scholars will come together to experiment, challenge and debate long-held assumptions about the relationship between casting, staging and race. The workshop will be led byDr Erika Lin, Associate Professor at the Graduate Centre of New York (CUNY) andDr Farah Karim-Cooper, Director of the Shakespeare and Race festival and Head of Higher Education and Research at the Globe. Erika specialises in early modern English theatre and culture with particular attention to embodied performance, affect, spectacle, and audience.
The Sam Wanamaker Fellowship Lectureis to be given byProfessor Kim F. HallonTuesday 14 August. Kim F. Hall is the Lucyle Hook Chair of English and a Professor of Africana Studies at Barnard College. Her research and teaching cover Renaissance/Early Modern Literature and Culture, Critical Race Theory, Black Feminist Studies, Slavery Studies, Visual Culture, Food Studies, and Digital Humanities. Her book,Things of Darkness: Economies of Race and Gender in Early Modern England, (published 1996), used a black feminist approach to interpret Renaissance literature. She is currently working on two book projects:Sweet Taste of Empire, which examines the roles of race, aesthetics and gender in the Anglo-Caribbean sugar trade during the seventeenth century and a new project,Othello was My Grandfather: Shakespeare and the African Diaspora, which discusses Afrodiasporic appropriations of Othello.
Wednesday 15 Augustwill seeMorgan Lloyd Malcolmin conversation with the director Nicole Charles in a pre-show talk beforeEmilia. Morgan’s new play,Emilia, opens 10 August, directed by Nicole Charles. It will explore the life of Emilia Bassano, whom many consider to be the Dark Lady of the Sonnets, but was also a writer, poet, mother, feminist and woman in her own right. Playwright and screenwriter Morgan Lloyd Malcolm’s playBelongings(Hampstead Theatre, Trafalgar Studios) was shortlisted for The Charles Wintour Most Promising Playwright Award, followed byThe Wasp(Hampstead Theatre, Trafalgar Studios). In 2016, she was selected for the BBC TV Drama Writers Programme and commissioned to write a 60-minute original television drama.
A panel discussion entitledWomen and Theatre in Britainwill take place onThursday 16 August. It will explore what it means to be a woman of colour working in theatre in 21st century Britain. Participants will be playwrights, actors, directors and prominent women in theatre.Joan Iyiolawill be taking part in the panel. Joan’s credits includeThe Duchess of Malfi,Life of Galileo,Boris Godunov,Orphan of Zhao(Royal Shakespeare Company),A Season in the Congo(Young Vic),The White Devil(RSC),Eclipsed(Gate Theatre), andThey Drink It in the Congo(Almeida). Further participants are to be announced soon.
Playing Othello, onFriday 17 August, will see a panel discussion with actors who have played Othello in recent years and who will share their experiences of the role.Playing Othellowill be chaired by the author of the most recent Arden introduction to Othello, Professor Ayanna Thompson (Arizona State University). The panel will includeAndréHollandandGolda Rosheuvel.More actors taking part in the panel discussion will be announced soon.
Golda Rosheuvelplayed Othello at the Liverpool Everyman earlier this year. Instead of a gender-swap, Golda played the role as a lesbian woman. Her theatre credits includeRomeo & Juliet(Shakespeare’s Globe),A Pacifist’s Guide to the War on Cancer, Wonder.land, The Curious Incident of the Dog in the Night Time (National Theatre),Electra, Carmen Jones(Old Vic),Marat/Sade, The Tempest, Julius Caesar, andAntony and Cleopatra (RSC). Screen credits includeLady Macbeth,EastEndersandHolby City(BBC).AndréHolland plays Othello this summer at the Globe, which opened 20 July. André is best known for his roles in Academy Award-winning filmsMoonlightandSelma. The multi-award-winning actor’s other screen credits include42andThe Knick. Theatre credits includeJitney(Broadway),Blue Door(Playwrights Horizons),Wig Out(Vineyard Theatre),The Brother / Sister Plays(Public Theatre) andAll’s Well That Ends Well(Shakespeare in the Park).
An international symposium will be held onFriday 17 and Saturday 18 August.Shakespeare and Race Across Borders: A Scholarly Symposiumwill bring together scholars from the disciplines of race, Shakespeare, theatre and performance studies to discuss the ways in which race is taught at university, discussed in the critical field and represented in performance. Featuring internationally renowned keynote speakers and panellists, the conference will generate important debate and open discussion about one of the most important and urgent issues in 21st-century Shakespeare studies.
Keynote speakers for the symposium compriseKimberlé Crenshaw, Professor of Law at Columbia Law School and UCLA. She coined the term “intersectionality”and is a leader in the intellectual movement of Critical Race Theory. Crenshaw is a co-founder of the African American Policy Forum and the Women’s Media Initiative.Luke Harris is Associate Professor of American Politics and Constitutional Law at Vassar College and co-founder of the African American Policy Forum. He has written a series of critically acclaimed articles on equality in contemporary America.Devon Carbado is the author of Acting White? Rethinking Race in a “Post-Racial”America (Oxford University Press). He currently teaches at UCLA School of Law and has won numerous teaching awards, including the inaugural Fletcher Foundation Fellowship.Ayanna Thompson has written extensively on the subject of Shakespeare and race, including Passing Strange: Shakespeare, Race and Contemporary America(Oxford University Press) and, most recently, Shakespeare in the Theatre: Peter Sellars (Arden Bloomsbury). Professor Thompson is the 2018-19 President of the Shakespeare Association of America and Director of the Arizona Center for Medieval & Renaissance Studies at Arizona State University.Arthur L. Little is an Associate Professor of English at UCLA and author of numerous articles on Shakespeare, race and justice.Ania Loombais the Catherine Byson Professor of English at the University of Pennsylvania where she researches and teaches early modern literature, race and feminist theory. Her latest publications include Rethinking Feminism in Early Modern Studies: Gender, Race and Sexuality (Routledge).Ian Smith is a professor of English and teaches courses on English, Women’s and Gender Studies and Africana studies at Lafayette College. His current research project, Black Shakespeare, examines Shakespeare’s interest in social and political racial identities.Joyce Green MacDonald is the author of Women and Race in Early Modern Texts (Cambridge University Press). She is the Associate Professor of English at the University of Kentucky.
Other speakers include Margo Hendricks (UC Santa Cruz), Kim F. Hall (Barnard College), Miles P. Grier (Queens College CUNY), Alfredo de Modenessi (National Autonomous University of Mexico), Carol Mejia-La Perle (Wright State University), Arne Pohlmeier (Two Gents Company), Tonderai Munyevu (Two Gents Company), Malcolm Cocks (Dulwich College and Globe Post-doctoral researcher on World Hamlet Globe-to-Globe), Taarini Mookherjee (Columbia University), Tripthi Pillai (Coastal Carolina University), Ruben Espinosa (UTEP), Michael Shane Boyle (Queen Mary University) and Patricia Akhimie (Rutgers University).
The final event of the festival will be in the Sam Wanamaker Playhouse on18 August,Hip-hop Shakespeare Unplugged, from Akala and The Hip-hop Shakespeare Company. The show will feature the renowned Hip-hop Shakespeare house band and a range of undiscovered young talent performing a medley of songs inspired by scenes and themes from Shakespeare’s plays and sonnets. Founded by MOBO-award winning hip-hop artist Akala,The Hip-hop Shakespeare Company is a music theatre production company aimed at exploring the social, cultural and linguistic parallels between the works of William Shakespeare and that of modern day hip-hop artists.
SATURDAY 11 AUGUST 7.45pm – Voices in the Dark £10-£20, Sam Wanamaker Playhouse
SUNDAY 12 AUGUST 6.00pm – American Moor by Keith Hamilton Cobb £15 (£12 Members/Students), Sam Wanamaker Playhouse
MONDAY 13 AUGUST 6.00pm – Staging Race and Diversity in the Shakespearean Theatre £10 (£5 Members/Students), Sam Wanamaker Playhouse
TUESDAY 14 AUGUST 7.00pm – Sam Wanamaker Fellowship Lecture £15 (£12 Members/Students), Sam Wanamaker Playhouse
WEDNESDAY 15 AUGUST 6.00pm – Morgan Lloyd Malcolm in Conversation £8 (£6 Members/Students), Sam Wanamaker Playhouse
THURSDAY 16 AUGUST 7.00pm – Women and Theatre in Britain £15 (£12 Members/Students), Sam Wanamaker Playhouse
FRIDAY 17 AUGUST 9.30am – Shakespeare and Race Across Borders: A Scholarly Symposium £85 (£55 Members/Students), Nancy Knowles Lecture Theatre]
7.00pm – Playing Othello £15 (£12 Members/Students), Sam Wanamaker Playhouse
SATURDAY 18 AUGUST 10.00am – Shakespeare and Race Across Borders: A Scholarly Symposium £85 (£55 Members/Students), Nancy Knowles Lecture Theatre]
7.45pm – Hip-hop Shakespeare Unplugged £10-£25, Sam Wanamaker Playhouse
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